Earrings

There's something about a hoop that moves with you. Light, quiet, always there.

I twisted these by hand the same way I've twisted copper for forty years — one continuous spiral, no seams to catch or snag.

People who wear copper close to their skin tend to keep wearing it. I've never had to explain why, and I won't start now.

These are some of the last earrings I'll make before I close my workshop. I hope they find the right ears.

Material: 99.9% Pure Copper

Size: Small, everyday wear

Some pieces you forget you're wearing - until the light catches them and reminds you. I made these hoops for the women who want something real on their ears without having to think about it - each one formed by hand from a single length of copper wire, shaped into its circle, then faceted one small strike at a time until the whole surface catches light the way only hammered copper does.

Copper has been worn close to the skin for thousands of years, and the women who come back to me always say the same thing: it just feels right in a way they can't quite explain. 

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that will wear them every single day.

There's a quietness to these that I didn't plan it just came out of the copper that way.

I cut each groove by hand across the face of the hoop, one diagonal at a time, letting the polished line catch the light against the matte ground. The contrast was always the point something a little wild held inside something round and complete.

People who wear copper close to their skin tend to notice things. A softness somewhere. A steadiness they can't quite name. I've heard it enough times now that I've stopped being surprised.

I hope these find someone who appreciates the quiet things.

Material: 99.9% Pure Copper

There's a steadiness that comes from stone something that's been held by the earth for longer than we can measure. I made these for that feeling.

Each earring is a series of linked copper rings, and in each ring sits a crystal set by hand, one at a time. The technique takes patience. You have to fit the stone, secure it, then move to the next ring. There's no rushing it. The crystals catch light in their own way warm and quiet, not loud.

People who wear copper seem to find their own ground. Their bodies remember what steadiness feels like. I've seen it happen for forty years, and I still don't need to explain it.

I hope these earrings find someone who knows they need them.

Material: 99.9% Pure Copper + Crystal Inlay
Size: One size

These earrings move with you sculpted curves that catch the light and your skin in the same moment. I made them for anyone who needs something small but present, close to the face, impossible to ignore.

Each ball and curve is hand-formed, one at a time. The spiral takes longer than you'd think. There's no shortcut to shape like this only hammering and patience and knowing when to stop.

Copper has always lived close to the skin. People wear it and feel the difference in small, quiet ways. They keep wearing it. After forty years, I've stopped asking why.

This is one of the last pairs I'll make. I hope they find the right ears.

Material: 99.9% Pure Copper
Size: One size

Some pieces move when you move - and that's the whole point. I made these for the women who want to feel the warmth of something real against their skin every single day - each disc cut by hand from copper sheet, hammered across its full surface one strike at a time, then linked together so the lower piece swings freely the way copper should.

People have worn copper close to the skin for thousands of years and the women who come back to me always say the same thing: something shifts that they can't quite name.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that are ready to carry a little warmth with them.

Some pieces change the way you carry yourself the moment you put them on. I made these for the women who are done making themselves smaller - each fan cut by hand from copper sheet into its precise half-circle form, then hammered across the full two and a half inch width one strike at a time until the surface holds the warmth of every blow.

Copper has been worn close to the skin for thousands of years by people who needed to feel the sun's warmth even when it wasn't there, and the women who come back to me always say the same thing: something in them opened back up.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the faces that are ready to take up space.

There's a kind of weight that settles you not heavy, just present. That's what these hoops carry. I wanted something that felt grounded the moment you put it on.

Each hoop is hand-shaped around a mandrel, the tube hammered smooth and graduated thicker at the curve, thinner toward the hinge. That taper takes a steady hand and a few tries to get right.

Copper worn close to the skin is a practice older than most things we trust today people have leaned on it for generations, long before it had a name for what it does. I didn't invent that. I just kept making the pieces.

I hope these find someone who wears them every day without thinking twice about it. That's always been the goal.

Material: 99.9% Pure Copper

There's a particular kind of quiet that comes with small things done well. These hoops carry that neat, settled, nothing about them asking for attention.

I shape each one by hand, working the curve until it holds its weight evenly, then setting the hinge myself so it closes clean and sits flush against the ear. No two passes through my hands are quite the same.

Copper worn close to the skin is something people have leaned on for a very long time  long before anyone thought to question why. I just keep making what's always been made.

I hope these find their way to the right ears.

Material: 99.9% Pure Copper

Some pieces announce themselves the moment you put them on. I made these hoops for the women who have stopped apologizing for taking up space - each one cut from copper sheet, shaped by hand into its wide crescent form, then hammered across the full surface one strike at a time until the metal holds the memory of every blow.

Copper has been worn close to the skin for thousands of years by women who needed to feel grounded in their own bodies, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that are ready to be seen.

Some pieces you put on at the end of the day and immediately feel something release. I made these for the women who need to mark the moment when the work is done and the evening begins - each one cut from a single strip of copper, brushed smooth by hand, then twisted turn by turn into its spiral form until the full two and a half inches have become what they were always going to be.

Copper has been worn close to the skin for thousands of years by people who needed something to help them settle back into themselves, and the ones who come back to me always say the same thing: they stopped carrying what they used to carry.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the shoulders that are ready to drop.

There's a stillness to these earrings the kind you feel on an early morning before the world gets loud.

I cut every star by hand, pressing the engraving tool into the copper one point at a time. The pattern catches light the way water does a quiet flash, then gone.

People have worn copper close to their skin for centuries. I don't need to explain what they felt. You'll know.

I hope these find someone who appreciates the small things.

Material: 99.9% Pure Copper

There's a quietness to a dell a sheltered hollow where the world slows down and something gentle takes over. That's what I wanted when I made these.

I shaped each hoop by hand, working the copper slowly into that clean, rounded curve. The width, the weight, the smooth polish every detail was deliberate, worked and reworked until it sat right.

People who wear copper close to their skin tend to notice things a softness, an ease. I've heard it enough times over forty years that I've stopped being surprised.

These earrings are for the woman who doesn't need to announce herself. She already knows who she is.

Material: 99.9% Pure Copper

Some pieces reward the people who look closely. I made these for the women who appreciate the quiet work inside a thing - the teardrop form shaped first from a single length of copper wire, then wrapped along its lower half one winding at a time, each coil placed tight against the last until the full section is covered and the piece becomes what it was always going to be.

Copper has been worn close to the skin for thousands of years by people who needed something steady and flowing in their lives, and the ones who come back to me always say the same thing: it just feels right in a way they stopped trying to explain.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that notice the details.