Bracelets

There’s something about wearing copper close to the ground it settles you. Each link is hand-formed, shaped to sit flush against the skin.

People who wear copper tend to keep wearing it. I’ve never had to explain why.

This is part of my final collection. When these are gone, the workshop closes for good.

Size: 250 x 7 x 3mm

Material: 99.9% Pure Copper 

This is the piece people reach for when they want something they'll forget they're wearing - until they look down and remember it's there. I made this one for the people who don't want weight or statement, just copper against the skin doing what copper does. The dimples across the surface are ball-peen hammer marks, each one placed by hand - lighter and more spaced than some of my heavier pieces, which gives this one a different quality of light when the sun catches it.

People who wear copper consistently tell me the same thing: they stopped noticing what they used to notice in their joints and their feet.

This is one of the last anklets I'll make before I close my workshop for good. I hope it finds the ankle that needs something quiet and real.

This is the piece I spend the most time on - every strand of the braid woven over and under by hand, the tension kept even all the way around so the pattern stays true. I made this for the people whose ankles and legs have been carrying them for decades without complaint, who need their circulation to keep up with lives that don't slow down.

There's something about the weight of this piece against the ankle - substantial, present - that people either notice immediately or come back to tell me about later. The ones who wear copper consistently say the same thing: they stopped noticing what they used to notice. 

This is one of the last anklets I'll make before I close my workshop for good. I hope it finds the ankle that's earned it.

There’s a particular ease that comes with light movement this piece is made for that feeling.

Each oval panel is hand-linked, one at a time, with 21 magnets set into the copper along the full length. Nothing rushed, nothing forced just steady work.

People who wear copper tend to keep wearing it. I’ve heard that enough times over forty years to stop needing to explain it.

This is part of my final collection. When it’s gone, it’s gone.

Size: 260 × 8 × 3 mm

Material: 99.9% Pure Copper 

Some pieces don't go on the wrist or the finger - they go across the hand itself, and that changes everything. I made this for the people who need to feel something moving through them - the spiral formed by hand from a single length of copper wire, coiled ring by ring from the center outward until the form is complete, the wire tail extending across the back of the hand where it rests against the skin all day.

Copper has been worn against the body for thousands of years by people who needed their circulation to keep moving, and the ones who come back to me always say the same thing: their hands felt different in a way they couldn't explain and stopped trying to.

This is one of the last pieces I'll make before I close my workshop for good. I hope it finds the hands that need to feel the flow again.

There’s a quiet that starts at the ground and moves upward this piece is made for that feeling.

Each link is shaped by hand, and all twenty-five magnets are set one at a time, slowly, the way this kind of work demands.

People who wear copper close to the body tend to stay with it.

This is part of my final collection. When it’s gone, it’s gone.

Size: 260 × 7 × 3mm 

Material: 99.9% Pure Copper

The spiral at the center of this piece is the same shape people have been carving into rock and pressing into metal for longer than anyone can trace. I made this one for the people who feel something when they see it - who put it on their ankle and find themselves looking down at it during the day.

The spiral is formed from a single continuous copper strip, coiled by hand from the center outward, then joined to the band which I shape separately and curve gently so it sits right against the ankle. People who wear copper at the ankle tell me their joints feel steadier - their knees, their feet, the parts that carry everything.

This is one of the last anklets I'll make before I close my workshop. I hope the spiral finds the ankle it belongs on.

Some things you just feel the moment you put them on.

I made this piece for the days when your joints remind you they've been working — the feather is hand-engraved, each barb traced one at a time with a tool I've had for thirty years.

Copper has been worn against the skin for thousands of years by people who needed their joints to keep up with their lives, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice in their wrists.

This is one of the last bracelets I'll make before I close my workshop for good. I hope it finds the wrist that needs it most.

Some things you put on and immediately feel different. I made this piece for the days when your joints have been reminding you they're there - the flowers are hand-engraved one petal at a time, the vine traced slowly around the full band with the same tool I've used for thirty years. 

Copper has been worn against the skin for thousands of years by people who needed their bodies to keep moving, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice in their wrists.

This is one of the last bracelets I'll make before I close my workshop for good. I hope it finds the wrist that needs it most.

Some pieces stop you the moment you put them on - this is one of them. I made this bracelet for the people who need things to keep moving - each scale is formed individually, overlapping the next in sequence, the full band built one disc at a time the way water builds a shoreline.

Copper has been worn against the skin for thousands of years by people who needed their blood and their bodies to stay in flow, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice. 

This is one of the last bracelets I'll make before I close my workshop for good. I hope it finds the wrist that needs to keep moving.

There are pieces you put on that immediately make you feel more still. I made this bracelet for the days when your joints need something solid and steady beneath them - each segment shaped individually by hand, the copper pressed and formed into its rounded form one node at a time, the same way bamboo builds itself section by section toward the light.

Copper has been worn against the skin for thousands of years by people who needed their bodies to stay supple and their joints to keep moving, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice.

This is one of the last bracelets I'll make before I close my workshop for good. I hope it finds the wrist that needs to go quiet for a while.

Some things you put on and immediately feel like your body remembered something. I made this piece for the people who are always moving - whose hands, wrists, and arms have been carrying the weight of a life well worked.

The three strands - brass, silver, copper - are twisted and set by hand, one section at a time, with tools I've had longer than most people have been alive.

Copper has been worn close to the body for a long time. Long before it was sold in stores or written about. The people who wore it kept wearing it, and they passed it along. 

I hope this bracelet finds a wrist that needs it.

Material: 99.9% Pure Copper

Size: 190 × 12.5 x 2 mm

Some people come to me already knowing what they want - they've read about magnetic copper, they've tried other versions, and they want one made by someone who knows what they're doing. I made this piece for those people.

The band is pure copper, slim and hammered by hand until the surface has the warmth and texture it needs - then set with six magnets, three on each end, sitting flush so you forget they're there after the first day.

The ones who come back for this piece never quite explain themselves - they just say it works and they need another. This is one of the last I'll make before I close my workshop. I hope it finds the wrist that's been waiting for it.

There’s something about a piece with weight to it—you feel it settle the moment it’s on. I cut these ridges by hand, one pass at a time; the grooves aren’t decorative, they’re structural.

The ends are finished cleanly so the cuff sits naturally and securely once worn. The band is 99.99% pure copper, shaped to sit close to the skin in the way people have returned to for thousands of years.

Each ridge is formed slowly and deliberately, so the surface carries a quiet sense of order rather than ornament.

One of the last cuffs I’ll make before I close the workshop. I hope it finds the right wrist.

Material: 99.99% Pure Copper

Size: 185 × 10 × 2mm open cuff, adjustable fit

Some things you put on and immediately feel different. I made this piece for the days when your joints have been reminding you they're there. 

There's something about copper on the wrist the warmth it holds, the weight of it settling in. I set the jade inlay by hand. A strip of color that sits the way moss sits on stone like it was always meant to be there.

People who wear copper on their wrists keep wearing it. Forty years, and I've never had to explain why.

Material: 99.9% Pure Copper

Size: 175 × 8 × 2 mm

There is a particular kind of steadiness that comes from something solid against your skin. This bracelet carries that feeling—grounded, purposeful, made to last.

Each screw-head motif is cut by hand, one at a time, pressed into the copper with the same tool until the pattern settles in and holds. The band stays slim, but it carries more presence than its size first suggests.

Copper has a way of being noticed slowly. A morning that feels a little easier. A body that feels more like itself. It’s something people tend to observe over time, quietly, without needing much explanation.

I hope this one finds someone who wears it every day and eventually forgets it’s there—because it simply belongs there.

Material: 99.9% Pure Copper

Size: 175 × 8 × 2 mm

Some pieces are quiet about what they do. This is one of them. Smooth and close to the skin, polished rose copper with two ball ends that sit just at the pulse points of the wrist. It's a simple shape. Simple shapes are the hardest to get right.

I form the band by hand and polish it in stages - each pass slower than the last until the surface holds light the way I want it to. The ball terminals are shaped separately, fitted last. There's nothing to hide behind on a piece this clean, so everything has to be right.

The wrist is where people have worn copper longest. Close to the pulse, close to the surface. People who try it tend to keep it on. I've never needed to say more than that.

It's the kind of bracelet that disappears into a day and comes off at night feeling like something's missing. I hope it finds a wrist that needs it.

Material: 99.9% Pure Copper

Size: 175 × 8 × 2 mm

Two strands, wound together by hand. Built to stay.

I set six magnets into the band, then laid a quiet line of stones where the braid meets—nothing forced, just placed where they belong. After that, I close it the same way I’ve closed every piece for forty years: slowly, deliberately, until it sits as one.

People who work with their hands have been drawn back to copper for a long time. I’ve never had to explain why.

One of the last pieces I’ll make before I close my workshop.

Material: 99.9% pure copper

Size: 175 x 8 x 2 mm

There's something grounding about this one. Put it on and it settles - solid against the wrist, present without being heavy, the kind of thing you stop noticing only because it starts to feel like it was always there.

Three strands wound together by hand - rose copper, gold-brass, and silver-tone - each one shaped and tensioned separately before being twisted into a single braid. Getting the tension even all the way around takes time. I've learned not to rush it.

Copper has been worn against skin for thousands of years. Long before anyone tried to explain it. The people who wore it just kept wearing it, and the tradition passed quietly from hand to hand across centuries.

This bracelet is made to be on a wrist, not in a drawer. I hope it finds the right one.

Material: 99.9% Pure Copper, Brass, Silver

Size: 175 × 8 × 2 mm

There's a steadiness that comes with this one. The kind you feel in your wrists at the end of a long day - a quiet settling, like something that was pulled tight finally easing.

The center braid is pressed by hand, each chevron ridge formed individually using a chasing tool I've had since my third year of making. The copper rails that frame it are shaped and fitted separately, then joined. It takes longer that way. It's worth it.

People who wear copper tend to keep it on. Some have worn a piece of mine for years without taking it off once. I've never felt the need to explain that, and I won't start now.

I made this one to be worn, not saved. I hope it finds a wrist that needs it.

Material: 99.9% Pure Copper

Size: 185 × 12.5 × 2 mm

There’s a weight to this one you notice the moment it settles on your wrist—not heavy, just present.

I shaped the band wide and smooth, made to sit flush against the skin throughout the day. The copper dots are set in two clean rows along the center, giving it structure without excess.

It’s the kind of piece people tend to feel over time. Something subtle, something steady. I’ve long stopped trying to explain it.

One of the last wide cuffs I’ll make before I close the workshop. I hope it finds the right wrist.

Material: 99.99% Pure Copper

Size: 200 × 18.5 × 2mm

There are mornings when your wrists remind you of everything they’ve carried. This is a piece for those mornings.

The geometric pattern is pressed by hand across the entire surface, each mark placed with care to create a steady, balanced form. The band is made from 99.99% pure copper, shaped to sit close and comfortably against the skin.

Copper is something people return to, again and again. Not out of habit, but because it tends to earn its place over time. It’s something you notice quietly, without needing to explain it.

Part of my final collection. When these are gone, there won’t be more.

Material: 99.99% Pure Copper 

Size: 175 × 8 × 2mm

6 Embedded Magnets

There are pieces you put on and feel something shift—not dramatically, just a quiet steadiness that wasn’t there a minute before. I made this one for the days when you want to feel like yourself again.

The grooves are cut by hand, three clean channels pressed evenly along the face of the cuff. Nothing decorative about them—just form, intention, and the rhythm of the work.

Set in 99.99% pure copper, the piece is designed to sit close and comfortably against the skin. People who wear copper daily tend to notice the same subtle changes over time. I’ve stopped being surprised by it long ago.

Part of my final collection from the workshop. I hope it finds someone who’ll wear it every day—that’s when it truly comes into its own.

Material: 100% pure copper

Size: 175mm × 8mm × 2mm · Open cuff, slightly adjustable

There's a quiet energy that builds slowly you don't notice it until it's been there a while.

The band is hand-engraved with a botanical pattern I've been cutting since the early nineties. Six magnets, set flush inside. 99.99% pure copper, the way it's always been.

People who wear copper magnets tend to keep wearing them. I've never had to explain why.This is part of my final collection. When these are gone, there won't be more.

Size: 175 × 12 × 2mm | Adjustable open cuff

Material: 99.99% Pure Copper

Some mornings your hands don’t feel like your own. I made this for those mornings.

Full-face hand engraving in gothic lettering at the center, with botanical vines running along both borders. Three magnets are set flush into 99.99% pure copper—present in function, invisible in feel. You don’t notice them. You just wear it.

People who reach for copper tend to keep reaching for it. I stopped explaining why years ago.

This is part of my final collection. When these are gone, the Drift is gone with them.

Material: 99.99% Pure Copper.

Size: 190 × 15 × 2mm

There are pieces you pick up and feel settled by. This is one of them.

The dragon runs the full length of the band, embossed by hand and pressed into the metal one section at a time. Six magnetic inlays sit flush along the edges—present in function, seamless in form. Wear it and see.

Copper has been worn against the skin for over three thousand years by people who worked hard and lived long. This bracelet is made from 99.99% pure copper—no alloys, nothing added.

Part of my final collection. When these are gone, I’m done making. I hope it finds the right wrist.

Size: 175 × 9.5 × 2.5mm  adjustable open cuff

Material: 99.99% pure copper no alloys, nothing added

There are mornings when your hands remind you of everything they’ve carried.

I made this for wrists that haven’t stopped gripping, lifting, and holding for decades. The ridge pattern is pressed in by hand, groove by groove. Six magnets are set flush into the band, forged from 99.99% pure copper.

People who wear copper tend to keep wearing it. Thirty years of customers, and not once have I been asked to explain why.

This is part of my final collection. When the workshop closes, these won’t exist anymore—not from my hands.

Size: 180 × 8 × 3mm | Open Cuff | One Size Fits Most

Material: 99.99% Pure Copper

There’s a warmth that starts at the wrist and just stays there. I kept this one clean—two channels, two magnetic insets, nothing extra.

People who wear copper tend to keep wearing it. I’ve never had to explain why. Made from 99.99% pure copper, by my hands, in Sedona.

One of the last I’ll make before I close the workshop.

Size: 185 × 8 × 2mm

Material: 99.99% Pure Copper