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Some pieces announce themselves the moment you put them on. I made these hoops for the women who have stopped apologizing for taking up space - each one cut from copper sheet, shaped by hand into its wide crescent form, then hammered across the full surface one strike at a time until the metal holds the memory of every blow.

Copper has been worn close to the skin for thousands of years by women who needed to feel grounded in their own bodies, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that are ready to be seen.

Some pieces you put on at the end of the day and immediately feel something release. I made these for the women who need to mark the moment when the work is done and the evening begins - each one cut from a single strip of copper, brushed smooth by hand, then twisted turn by turn into its spiral form until the full two and a half inches have become what they were always going to be.

Copper has been worn close to the skin for thousands of years by people who needed something to help them settle back into themselves, and the ones who come back to me always say the same thing: they stopped carrying what they used to carry.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the shoulders that are ready to drop.

Some pieces reward the people who look closely. I made these for the women who appreciate the quiet work inside a thing - the teardrop form shaped first from a single length of copper wire, then wrapped along its lower half one winding at a time, each coil placed tight against the last until the full section is covered and the piece becomes what it was always going to be.

Copper has been worn close to the skin for thousands of years by people who needed something steady and flowing in their lives, and the ones who come back to me always say the same thing: it just feels right in a way they stopped trying to explain.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that notice the details.

Size: Adjustable  fits most

Material: 99.9% Pure Copper 

This one carries warmth—the kind that starts at your finger and stays.

I set two magnets flush into a wide 99.99% pure copper band, open-backed so it fits most hands without fuss. People who wear copper tend to keep wearing it.

I’ve never had to explain why.

This is one of the last rings I’ll make before I close my workshop. I hope it finds the right hand.

MATERIAL: 99.99% Pure Copper

SIZE: Adjustable fits most finger sizes

Some pieces you forget you're wearing - and then your hands remind you they feel different. I made this ring for the people whose finger joints have been keeping a quiet score of every year of work - the flowers are hand-detailed one petal at a time, the beaded border traced dot by dot along both edges, the whole surface worked slowly until the copper holds every mark of the making.

People have worn copper against their skin for thousands of years and the ones who come back to me wearing this ring always say the same thing: their fingers stopped reminding them quite so often.

This is one of the last rings I'll make before I close my workshop for good. I hope it finds the hand that needs it most.

Hand-hammered pure copper. The way water was meant to be carried for 5,000 years.

Every Vessel is shaped by hand, one hammer strike at a time — no plating, no filler, no steel in disguise. Just solid copper, inside and out.

Fill it fresh each morning. Sip it slow. Carry a little of the old world with you.

Why you'll love it

• 99.9% pure copper, hammered by hand
• Solid copper inside and out — never lined or plated
• A texture and warmth no factory cup can fake
• The everyday ritual women have kept for thousands of years

Real copper develops a living patina over time. That's how you know it's real.

For 5,000 years, every culture that could work copper stored their water in it — the Egyptians, the Romans, the Ayurvedic healers of India.

Not for looks, but because copper naturally purifies the water it holds.

This bottle is hand-hammered from 99.9% pure copper, solid through and through — never plated, never alloyed with cheap metal.

Fill it before bed, let it rest overnight, and wake to smooth, mineral-rich copper water the way it was meant to be done.

Made by hand by Ember.

There’s something about wearing copper close to the ground it settles you. Each link is hand-formed, shaped to sit flush against the skin.

People who wear copper tend to keep wearing it. I’ve never had to explain why.

This is part of my final collection. When these are gone, the workshop closes for good.

Size: 250 x 7 x 3mm

Material: 99.9% Pure Copper 

There’s a particular ease that comes with light movement this piece is made for that feeling.

Each oval panel is hand-linked, one at a time, with 21 magnets set into the copper along the full length. Nothing rushed, nothing forced just steady work.

People who wear copper tend to keep wearing it. I’ve heard that enough times over forty years to stop needing to explain it.

This is part of my final collection. When it’s gone, it’s gone.

Size: 260 × 8 × 3 mm

Material: 99.9% Pure Copper 

There’s a quiet that starts at the ground and moves upward this piece is made for that feeling.

Each link is shaped by hand, and all twenty-five magnets are set one at a time, slowly, the way this kind of work demands.

People who wear copper close to the body tend to stay with it.

This is part of my final collection. When it’s gone, it’s gone.

Size: 260 × 7 × 3mm 

Material: 99.9% Pure Copper

The knot pattern on this set has no beginning and no end - I've been engraving it for thirty years and it still demands my full attention every time. I made this for the people who want something that works on two levels: the bracelet at the wrist and the ring on the finger, both carrying the same pattern, both with magnets set flush so you don't feel them after the first hour.

The ones who come back for matched sets tell me there's something about wearing the same intention on the wrist and the hand - they can't quite explain it, and I don't ask them to.

This is one of the last sets I'll make before I close my workshop. I hope it finds the hands that have earned it.

This is the piece people reach for when they want something they'll forget they're wearing - until they look down and remember it's there. I made this one for the people who don't want weight or statement, just copper against the skin doing what copper does. The dimples across the surface are ball-peen hammer marks, each one placed by hand - lighter and more spaced than some of my heavier pieces, which gives this one a different quality of light when the sun catches it.

People who wear copper consistently tell me the same thing: they stopped noticing what they used to notice in their joints and their feet.

This is one of the last anklets I'll make before I close my workshop for good. I hope it finds the ankle that needs something quiet and real.

This is the piece I spend the most time on - every strand of the braid woven over and under by hand, the tension kept even all the way around so the pattern stays true. I made this for the people whose ankles and legs have been carrying them for decades without complaint, who need their circulation to keep up with lives that don't slow down.

There's something about the weight of this piece against the ankle - substantial, present - that people either notice immediately or come back to tell me about later. The ones who wear copper consistently say the same thing: they stopped noticing what they used to notice. 

This is one of the last anklets I'll make before I close my workshop for good. I hope it finds the ankle that's earned it.

The spiral at the center of this piece is the same shape people have been carving into rock and pressing into metal for longer than anyone can trace. I made this one for the people who feel something when they see it - who put it on their ankle and find themselves looking down at it during the day.

The spiral is formed from a single continuous copper strip, coiled by hand from the center outward, then joined to the band which I shape separately and curve gently so it sits right against the ankle. People who wear copper at the ankle tell me their joints feel steadier - their knees, their feet, the parts that carry everything.

This is one of the last anklets I'll make before I close my workshop. I hope the spiral finds the ankle it belongs on.

Some pieces don't go on the wrist or the finger - they go across the hand itself, and that changes everything. I made this for the people who need to feel something moving through them - the spiral formed by hand from a single length of copper wire, coiled ring by ring from the center outward until the form is complete, the wire tail extending across the back of the hand where it rests against the skin all day.

Copper has been worn against the body for thousands of years by people who needed their circulation to keep moving, and the ones who come back to me always say the same thing: their hands felt different in a way they couldn't explain and stopped trying to.

This is one of the last pieces I'll make before I close my workshop for good. I hope it finds the hands that need to feel the flow again.

Some pieces you put on because they look right - these two you put on because something in you knows they belong there. I made this set for the people whose joints and hands have been keeping score of a life well worked - the lattice is engraved diamond by diamond across the full band, the floral piece traced slowly alongside it, both finished the same morning.

Copper has been worn against the skin for thousands of years by people who needed their bodies to stay in the fight, and the ones who come back to me wearing both always say the same thing: they stopped noticing what they used to notice.

This is one of the last sets I'll make before I close my workshop for good. I hope they find the wrists that have earned them.