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Some pieces you forget you're wearing - until the light catches them and reminds you. I made these hoops for the women who want something real on their ears without having to think about it - each one formed by hand from a single length of copper wire, shaped into its circle, then faceted one small strike at a time until the whole surface catches light the way only hammered copper does.

Copper has been worn close to the skin for thousands of years, and the women who come back to me always say the same thing: it just feels right in a way they can't quite explain. 

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that will wear them every single day.

There’s a warmth that starts at the wrist and just stays there. I kept this one clean—two channels, two magnetic insets, nothing extra.

People who wear copper tend to keep wearing it. I’ve never had to explain why. Made from 99.99% pure copper, by my hands, in Sedona.

One of the last I’ll make before I close the workshop.

Size: 185 × 8 × 2mm

Material: 99.99% Pure Copper

There’s a kind of man who doesn’t think much about what he wears he just knows when something feels right.

I hammered this band flat by hand and set two magnetic insets flush into the face so nothing catches when you’re working. Made from 99.9% pure copper.

The men who’ve worn my rings tend to keep them on through jobs, through seasons.

One of the last rings I’ll make. I hope it finds the right hand.

Size: Adjustable fits most

Material: 99.9% Pure Copper with Magnetic Insets

Some things you put on and immediately feel like your body remembered something. I made this piece for the people who are always moving - whose hands, wrists, and arms have been carrying the weight of a life well worked.

The three strands - brass, silver, copper - are twisted and set by hand, one section at a time, with tools I've had longer than most people have been alive.

Copper has been worn close to the body for a long time. Long before it was sold in stores or written about. The people who wore it kept wearing it, and they passed it along. 

I hope this bracelet finds a wrist that needs it.

Material: 99.9% Pure Copper

Size: 190 × 12.5 x 2 mm

Some pieces are quiet about what they do. This is one of them. Smooth and close to the skin, polished rose copper with two ball ends that sit just at the pulse points of the wrist. It's a simple shape. Simple shapes are the hardest to get right.

I form the band by hand and polish it in stages - each pass slower than the last until the surface holds light the way I want it to. The ball terminals are shaped separately, fitted last. There's nothing to hide behind on a piece this clean, so everything has to be right.

The wrist is where people have worn copper longest. Close to the pulse, close to the surface. People who try it tend to keep it on. I've never needed to say more than that.

It's the kind of bracelet that disappears into a day and comes off at night feeling like something's missing. I hope it finds a wrist that needs it.

Material: 99.9% Pure Copper

Size: 175 × 8 × 2 mm

There’s something about a piece with weight to it you put it on and your hand just feels more like your hand.

Shaped by hand from 99.99% pure copper, twisted ridge by ridge until the form felt right. People have worn copper against the skin for three thousand years; the ones who kept wearing it knew what they knew.

One of the last rings I’ll make before I close. I hope it finds the right finger.

Material: 99.9% Pure Copper

Some pieces stop you the moment you put them on - this is one of them. I made this bracelet for the people who need things to keep moving - each scale is formed individually, overlapping the next in sequence, the full band built one disc at a time the way water builds a shoreline.

Copper has been worn against the skin for thousands of years by people who needed their blood and their bodies to stay in flow, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice. 

This is one of the last bracelets I'll make before I close my workshop for good. I hope it finds the wrist that needs to keep moving.

There are mornings when your hands remind you of everything they’ve carried.

I made this for wrists that haven’t stopped gripping, lifting, and holding for decades. The ridge pattern is pressed in by hand, groove by groove. Six magnets are set flush into the band, forged from 99.99% pure copper.

People who wear copper tend to keep wearing it. Thirty years of customers, and not once have I been asked to explain why.

This is part of my final collection. When the workshop closes, these won’t exist anymore—not from my hands.

Size: 180 × 8 × 3mm | Open Cuff | One Size Fits Most

Material: 99.99% Pure Copper

There's something grounding about this one. Put it on and it settles - solid against the wrist, present without being heavy, the kind of thing you stop noticing only because it starts to feel like it was always there.

Three strands wound together by hand - rose copper, gold-brass, and silver-tone - each one shaped and tensioned separately before being twisted into a single braid. Getting the tension even all the way around takes time. I've learned not to rush it.

Copper has been worn against skin for thousands of years. Long before anyone tried to explain it. The people who wore it just kept wearing it, and the tradition passed quietly from hand to hand across centuries.

This bracelet is made to be on a wrist, not in a drawer. I hope it finds the right one.

Material: 99.9% Pure Copper, Brass, Silver

Size: 175 × 8 × 2 mm

There’s a softness to this one the moment it sits on your wrist. I set the pink stone into the orbital frame by hand, each piece placed exactly where it needed to be—nothing rushed.

People who wear copper close to the skin tend to keep it there.

This is part of my final collection. I hope it finds the right wrist.

Size: 165 mm open cuff

Material: 99.9% Pure Copper 

There’s a warmth that settles into your wrist when you wear this one.

I set each stone by hand—the amber center, two pale ends balanced the way things feel when they’ve been thought through slowly.

People who wear copper close to the skin tend to keep it there. This is part of my final collection. I hope it keeps your wrist warm.

Size: 165 mm open cuff

Material: 99.9% Pure Copper 

This one carries a stillness I didn’t plan—it just came out that way.

I set the green stone into the orbital frame by hand, the same slow way I’ve done everything for forty years.

People who wear copper close to the skin tend to keep it there.

This is part of my final collection. I hope it finds the right wrist.

Size: 165 mm open cuff

Material: 99.9% Pure Copper 

There's a stillness to this piece the kind you feel the moment it settles on your wrist. 

I set each stone by hand: one blue-grey eye at center, two smaller ones at each end, balanced like something that was always meant to rest there.

Made from 99.99% pure copper the same way I've worked it for forty years. This is one of the last cuffs I'll make. I hope it finds the right wrist.

Size: 165mm inner circumference · Open cuff, adjustable

Material: 99.99% pure copper

Some pieces move when you move - and that's the whole point. I made these for the women who want to feel the warmth of something real against their skin every single day - each disc cut by hand from copper sheet, hammered across its full surface one strike at a time, then linked together so the lower piece swings freely the way copper should.

People have worn copper close to the skin for thousands of years and the women who come back to me always say the same thing: something shifts that they can't quite name.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the ears that are ready to carry a little warmth with them.

Some pieces change the way you carry yourself the moment you put them on. I made these for the women who are done making themselves smaller - each fan cut by hand from copper sheet into its precise half-circle form, then hammered across the full two and a half inch width one strike at a time until the surface holds the warmth of every blow.

Copper has been worn close to the skin for thousands of years by people who needed to feel the sun's warmth even when it wasn't there, and the women who come back to me always say the same thing: something in them opened back up.

These are among the last earrings I'll make before I close my workshop for good. I hope they find the faces that are ready to take up space.

Some things you feel the moment they settle against your skin. I made this one for people who work with their hands and need something that moves with them.

Three bands, one continuous coil, shaped on the mandrel by my own hand. 99.9% pure copper nothing added, nothing diluted.

People who wear copper rings tend not to take them off. Forty years of making taught me not to question that.

This is part of my final collection. When they’re gone, they’re gone.

Size: Adjustable fits most

Material: 99.9% Pure Copper 

There’s something about wearing copper close to the ground it settles you. Each link is hand-formed, shaped to sit flush against the skin.

People who wear copper tend to keep wearing it. I’ve never had to explain why.

This is part of my final collection. When these are gone, the workshop closes for good.

Size: 250 x 7 x 3mm

Material: 99.9% Pure Copper 

Two strands, wound together by hand. Built to stay.

I set six magnets into the band, then laid a quiet line of stones where the braid meets—nothing forced, just placed where they belong. After that, I close it the same way I’ve closed every piece for forty years: slowly, deliberately, until it sits as one.

People who work with their hands have been drawn back to copper for a long time. I’ve never had to explain why.

One of the last pieces I’ll make before I close my workshop.

Material: 99.9% pure copper

Size: 175 x 8 x 2 mm

This is the piece people reach for when they want something they'll forget they're wearing - until they look down and remember it's there. I made this one for the people who don't want weight or statement, just copper against the skin doing what copper does. The dimples across the surface are ball-peen hammer marks, each one placed by hand - lighter and more spaced than some of my heavier pieces, which gives this one a different quality of light when the sun catches it.

People who wear copper consistently tell me the same thing: they stopped noticing what they used to notice in their joints and their feet.

This is one of the last anklets I'll make before I close my workshop for good. I hope it finds the ankle that needs something quiet and real.

There is a quiet clarity to it. Five clean lines pressed into the band from end to end—nothing decorative, nothing excessive. Just structure. Just order. The kind of piece that feels right on a wrist that does things.

The grooves are cut by hand using a chasing tool. Each line is made in a separate pass along the full length of the band. Five passes, five lines, all of them evenly set. It takes longer than it looks at first glance. Simple work usually does.

Copper worn close to the skin is an old habit. Older than most explanations people reach for today. Those who first wore it didn’t have a name for why—it simply felt worth keeping on.

I hope it finds a wrist that needs it.

Material: 99.9% Pure Copper

Size: 175 × 9 × 2 mm

Some things you just feel the moment you put them on.

I made this piece for the days when your joints remind you they've been working — the feather is hand-engraved, each barb traced one at a time with a tool I've had for thirty years.

Copper has been worn against the skin for thousands of years by people who needed their joints to keep up with their lives, and the ones who come back to me always say the same thing: they stopped noticing what they used to notice in their wrists.

This is one of the last bracelets I'll make before I close my workshop for good. I hope it finds the wrist that needs it most.

There’s something about a piece with weight to it—you feel it settle the moment it’s on. I cut these ridges by hand, one pass at a time; the grooves aren’t decorative, they’re structural.

The ends are finished cleanly so the cuff sits naturally and securely once worn. The band is 99.99% pure copper, shaped to sit close to the skin in the way people have returned to for thousands of years.

Each ridge is formed slowly and deliberately, so the surface carries a quiet sense of order rather than ornament.

One of the last cuffs I’ll make before I close the workshop. I hope it finds the right wrist.

Material: 99.99% Pure Copper

Size: 185 × 10 × 2mm open cuff, adjustable fit

This is the piece I spend the most time on - every strand of the braid woven over and under by hand, the tension kept even all the way around so the pattern stays true. I made this for the people whose ankles and legs have been carrying them for decades without complaint, who need their circulation to keep up with lives that don't slow down.

There's something about the weight of this piece against the ankle - substantial, present - that people either notice immediately or come back to tell me about later. The ones who wear copper consistently say the same thing: they stopped noticing what they used to notice. 

This is one of the last anklets I'll make before I close my workshop for good. I hope it finds the ankle that's earned it.

Some pieces you forget you're wearing - and then your hands remind you they feel different. I made this ring for the people whose finger joints have been keeping a quiet score of every year of work - the flowers are hand-detailed one petal at a time, the beaded border traced dot by dot along both edges, the whole surface worked slowly until the copper holds every mark of the making.

People have worn copper against their skin for thousands of years and the ones who come back to me wearing this ring always say the same thing: their fingers stopped reminding them quite so often.

This is one of the last rings I'll make before I close my workshop for good. I hope it finds the hand that needs it most.

There’s a weight to this one you notice the moment it settles on your finger not heavy, just present.

I cut the diagonal grooves by hand and set two magnetic inserts into the inner band a detail a retired carpenter once asked me for. He never explained why. He just kept ordering them.

This is 99.99% pure copper, open-backed and adjustable to sit exactly where it feels right. People who work with their hands tend to find their way to copper. I’ve never had to explain it.

Part of my final collection. When these are gone, I’m done making them.

Size: Adjustable fits most finger sizes

Material: 99.99% Pure Copper 

There's a quiet energy that builds slowly you don't notice it until it's been there a while.

The band is hand-engraved with a botanical pattern I've been cutting since the early nineties. Six magnets, set flush inside. 99.99% pure copper, the way it's always been.

People who wear copper magnets tend to keep wearing them. I've never had to explain why.This is part of my final collection. When these are gone, there won't be more.

Size: 175 × 12 × 2mm | Adjustable open cuff

Material: 99.99% Pure Copper

Some shapes don't need explaining - they've been with us too long for that. I made this piece for the people who feel something when they see a spiral, even if they can't say exactly what. The pendant is formed from a single continuous strip of copper, coiled by hand from the center outward, the same way this symbol has been shaped for thousands of years.

Copper worn close to the chest - against the heart - is something people have done across every civilization I've ever read about, and the ones who come back to me say they stopped noticing what they used to notice. 

This is one of the last necklaces I'll make before I close my workshop for good. I hope it finds the neck that needs it.

There’s a particular ease that comes with light movement this piece is made for that feeling.

Each oval panel is hand-linked, one at a time, with 21 magnets set into the copper along the full length. Nothing rushed, nothing forced just steady work.

People who wear copper tend to keep wearing it. I’ve heard that enough times over forty years to stop needing to explain it.

This is part of my final collection. When it’s gone, it’s gone.

Size: 260 × 8 × 3 mm

Material: 99.9% Pure Copper